As far as fables go, the animation is always a potent medium to capture the magic of the story, often providing a better solution than CGI-filled live action medium. White Snake (Baishe: Yuanqi) is based on the famous Chinese fable ‘Legend of the White Snake’, but it is not an adaptation of it.
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As with fables, this is a story of good versus evil; the distinction here is drawn clearly but not in a straightforward manner. This a story about the desire for power, as well as just normal human desire. The anchor of the story is the love between a human and the eponymous demon, and how that love triumphs against all odds.
There could be one slight complaint about the story which is: the prime villain was not really established in his motifs and goals. There is a possibility that this film sets up for a series of films, as there is a Marvel-esque post-credit scene that hints so. In that case, the lack of conviction in the villain’s actions could be a precursor for some greater evil. But, there is a childlike innocence in its portrayal of love that is bound to resonate with the viewers.
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The magical realm of the film would not have been complete without the melancholic oriental musical scores of Guo Haowei. The music, as a good background score, amplifies the scenes in their grandiose. White Snake is an example of animation at its finest form, and it would not harm to have a sequel or two succeeding this one.